Greek Statue
 Socrates' Ancestor: An Essay on Architectural Beginnings by Indre Kagis McEwen, "Socrates' Ancestor" is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility of craft and community yields new insight into such issues as orthogonal planning and the appearance of the encompassing colonnade - the "ptera or "wings" - that made Greek temples Greek.Who was Socrates' ancestor? Socrates claims it was Daedalus, the mythical first architect. Socrates' ancestors were also the first Western philosophers: the pre-Socratic thinkers of archaic Greece where the Greek city-state with its monumental temples first came to light. McEwen brilliantly draws out the connections between Daedalus and the earliest Greek thinkers, between architecture and the advent of speculative thought. She argues that Greek thought and Greek architecture share a common ground in the amazing fabrications of the legendary Daedalus: statues so animated with divine life that they had to be bound in chains, the Labyrinth where Theseus slew the Minotaur, Ariadne's dancing floor in Knossos."Socrates' Ancestor is an exploration as remarkable for its clarity as for its avoidance of reductionism. Drawing as much on the power of myth and metaphor as on philosophical, philological, and historical considerations, McEwen first reaches backward: from Socrates to the earliest written record of Western philosophy in the Anaximander B1 fragment, and its physical expression in Anaximander's built work - a "cosmic model" thatconsisted of a celestial sphere, a map of the world, and the first Greek sun clock. From daedalean artifacts she draws out the centrality of early Greek craftsmanship and its role in the making of the Greek city-state.
 Ancient Greek and Roman Sculpture in the National Archaeological Museum, Athens by Nikolaos Kaltsas, This catalogue contains all the sculptures on display in the National Archaeological Museum of Athens, undoubtedly the most important collection of ancient Greek sculptures in the world. Each entry is supplemented by a full bibliography and is written not only for experts but also for the general reading public. A useful short introduction offers readers an overview of ancient Greek sculpture from the Archaic period to the end of Antiquity. Included in this lavishly illustrated volume are the Poseidon of Artemision, a statue of the god brandishing his trident; a marble group of Aphrodite, Pan, and Eros found on Delos; the Sounion Kouros, a colossal votive statue found in the sanctuary of Poseidon at Sounion; and the Roman statue of a young athlete, Diadoumenos.
Greek statue - Greek statues are naturalistic representation of a form in 3-d, now appear generally in marble or another type of rock. But many original Greek sculptures are believed to be casted in bronze and coloured. Venus de Milo - The Venus de Milo is an ancient Greek statue and one of the most famous pieces of ancient Greek sculpture. It is believed to depict Aphrodite (called Venus by the Romans), the Greek goddess of love and beauty. Winged Victory of Samothrace - The Winged Victory of Samothrace, also called Nike of Samothrace, is a marble sculpture of the Greek goddess Nike (Victory), discovered in 1863 on the island of Samothrace (Greek: Σαμοθρακη, Samothraki) by the French consul and amateur archaeologist Charles Champoiseau. The statue is now displayed in the Louvre in Paris while a plaster replica stands in the museum at the original location of the Sanctuary of the Great Gods on Samothraki. Colossus of Rhodes - The Colossus of Rhodes was a giant statue of the god Helios, erected on the Greek island of Rhodes by Chares of Lindos in the 3rd century BC. It was roughly the same size as the Statue of Liberty in New York, although it stood on a lower platform.
greekstatue
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